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Blog del guitarrista Nacho Bellido
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Historical research
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Justin Holland (1819-1887) Black guitarrist in the western reserve
Mysteries in the history of the spanish guitar
Stalking the oldest six-string guitar
The rise and fall of the hillbilly music: A History, 1922-1939.
The Transcriber’s Art articles
Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity
The guitar and the mandolin: Biographies of Celebrated Masters and Composers for these instruments
House music for recusants in Elizabethan England: performance practice in the music collection of Edward Paston (1550-1630)
Carlo Milanuzzi’s Quarto Scherzo and the Climate of Venetian Popular Music in the 1620
Fretboard Harmony for University Study: Method and Historical Context
La folía de España:Dances for guitar
The guitar, the musette and meaning in the “fêtes galantes” of Watteau
An overview of the six-course guitar
The five course guitar (viola) in Portugal and Brasil in late seventeenth and early eighteeenth centuries
Modernist representation of the guitar and the instrument´s classical revival in the 1920s
The form of the preludes to bach´s unaccompanied cello suites
Bach’s Lute Suites: This Myth is Busted
The role of development of the guitar and the changing performance techniques on evolution of “folia variations” writen for the guitar
Fantasia X from El Maestro By Luis Milán. Historical Background, Modal Analysis, and Transcription for Guitar Solo
Solo Lyra Viol music of Tobias Hume (1579-1645):Historical context and transcription for modern guitar
Transcribing the gamba music of Marin Marais to the guitar
J. A. Hudleston (1799-1865) A Guitarist in Nineteenth Century India
Georgina Gregory guitar manuscript.Edimburg c.1830-40
An Unknown French Song by Fernando Sor in Sweden
The Guitar in Sweden Until the Middle of the 19th Century
Hillbilly music and the roots of Bluegrass guitar
Aspects of interpretation and improvisation in the performance of brazilian guitar music
Agustin Barrios Mangore:A study in the articulation of cultural identity
A History of Bluegrass Guitar in Western North Carolina
Luigi Rinaldo Legnani: His life and position in European music , with an annotated performance edition of selections from 36 Capricci Opus 20.
Elements of Symmetry and Flamenco Tradition in Loris O. Chobanian’s “Concerto del Fuego”
The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye
The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar
The influence of Flamenco on the guitar works of Joaquin Turina.
The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions
Little Dots:A study of melodies of the guitarist Frank Zappa
Gitara gasy:Guitar Music of Madagascar
Santiago de Murcia: The French Connection in Baroque Spain
An Analysis of Mario Castelnuovo-Tedesco’s Vogelweide: Song Cycle for Baritone and Guitar
The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos
Key factors that contributed to the guitar developing into a solo instrument in the early 19th century
Manuel Ponce and the Suite in A minor: Its Historical Significance and an Examination of Existing Editions
The siguiriyas song form in flamenco:a historical and comparative study
Ornamentation in spanish renaissance vocal music
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La música colonial hispanoamericana
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Bandurria y otros
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