Categoría: GENERAL

Intuition and fretboard intimacy:approaching improvisation on the guitar (jazz,blues,rock)

Pat Metheny:Composing to exploit the sound of guitar

Jazz guitar, the history, the players

Gitara gasy:Guitar Music of Madagascar

Wes Montgomery-Round midnight: Expressions and interpretations

François le cocq-Belgian master of the Baroque guitar

Santiago de Murcia: The French Connection in Baroque Spain

An Analysis of Mario Castelnuovo-Tedesco’s Vogelweide: Song Cycle for Baritone and Guitar

The progresion of Villa-Lobos compositional style from the Suite Popular Brasileiro to the Doze Estudos

Estudios en torno a la influencia africana en la música tradicional de México: vertientes, balance y propuestas

Key factors that contributed to the guitar developing into a solo instrument in the early 19th century

Single string scale technique and the classic guitar

Manuel Ponce and the Suite in A minor: Its Historical Significance and an Examination of Existing Editions

The siguiriyas song form in flamenco:a historical and comparative study

Creating an improviser system for jazz standars on the classical guitar

Microtonal systems and guitar composition

Ornamentation in spanish renaissance vocal music

The role of lute in sixteenth-century consorts: Evidences from Terzi´s Intabulations

Los ejes de la música francesa de la primera mitad del s.XVII. Parámetros para estudios comparativos entre Francia y España

Improvisation in sixteenth-century Italy:Lessons from rethoric and jazz

The Airs de cour: The French Ornaments

The Spanish Romance: From Street Music to Court Music

A new guitar teaching philosophy

De algunas notas sobre la música e instrumentos tradicionales en el hoy México

The guitarra latina.Spain ca 1620 from the Cantigas de Santa María

Fuentes iconográficas en el estudio de las prácticas instrumentales en la música popular novohispana del siglo XVIII

Music in Spain in the 1670s through the eyes of Sébastien Chièze and Constantijn Huygens

Original printed music for the Spanish vihuela de mano

La música en el convento de la Merced de Santiago de Chile en la época colonial (siglos XVII-XVIII)

The Royal College Dias – guitar or vihuela?

An instructional guide to converting the guitar to a microtonal guitar or a fretless guitar.

The Belchior Dias 1581 Vihuela (Notes to the drawing and other observations)

Domenico Zipoli (1688-1726) y el Barroco Sudamericano

El Barroco musical en Bolivia.La música en la Misiones Jesuitas de Moxos (1682-1767)

Música jesuita en Chile en los siglos XVII y XVIII: una primera aproximación

Santiago de Murcia (1673-1739):new contributions on his life and work

Two unknown guitar works by Fernando Sor

Criterios históricos o la revitalización de la estética de la interpretación

The Guitar and the Birth of American Music

The Early History of the Guitar in America

Rethinking guitar pedagogy

The art of ragtime guitar (técnicas básicas de música ragtime)

Francisco Tarrega and the art of guitar transcription

Strining of the five course guitar